danand82's Movie Review of Postal

Rating of
2.5/4

Postal

Like a retarded puppy...
danand82 - wrote on 09/07/08

Postal is the latest movie from the much maligned German director Uwe Boll. It is, like every film he’s made since 2003's House of the Dead, based on a video game and, also like that film, has very little in common with its' source material. Postal follows a rather unique day in the life of a recently sacked factory worker (Zack Ward) who starts out at a job interview and ends up trying to save the human race. Along the way he is aided and thwarted (mostly the latter) by an eclectic mix, including: a bunch of bloodthirsty townsfolk, a cult comprised almost entirely of scantily clad models, terrorists, homicidal policemen, a dwarf who voices a popular (genital shaped) kids toy, Osama Bin Laden and … Uwe Boll! There is no real plot – the action proceeds from location to location seemingly on a whim as the Postal Dude’s day becomes more and more bizarre.

I wouldn’t go so far as to say that I’ve been a champion of Boll’s work but, unlike most critics, I’ve actually watched most of his English language films rather than just jumping on the bandwagon and automatically deriding him. Most are mediocre, and some are stupefying awful (yes In the Name of the King: A Dungeon Siege Tale, I’m looking at you) but the man is an industry unto himself and, until recently, was making a very healthy business out of it. With Postal, Boll has wisely returned to the openly ridiculous style of House of the Dead, while also turning the comedy dial up to 11. This, coupled with the complete disintegration of any sense of moral decency delivers what can most favourably be described as a unique film.

Boll gets many things wrong here, but the tone, while being his greatest liability, also manages to be his greatest strength. What works here works really well and the way the film unfolds is strangely mesmerising – you literally cannot guess what will happen next. Nothing is sacred and this approach is so all encompassing that he can’t help but hit the mark from time to time. The humour vacillates from quite effectively satirical to utterly tasteless. I would one day like to meet the people who find scatological gags funny. Actually I wouldn’t like to meet them but I would be willing to help sponser the creation of a gulag just for them. Occasionally, to its detriment, Postal crosses the line from tasteless to misanthropic – a moment involving a baby carriage and a fast moving truck comes to mind. However for the most part the content, while undoubtedly crude and misguided, is surprisingly good natured. No segment of society is particularly targeted and Boll’s willingness to make fun of himself (literally) is quite refreshing.

The performances are generally serviceable and sometimes effective. Ward does a good job with some difficult material and manages to strike a balance between playing the clown and the action hero. Verne Troyer is memorable in a bit part which manages to not be demeaning (despite the excessiveness of his eventual fate) and JK Simmons pops up in a strangely unobtrusive cameo. Boll has a reputation for making even talented actors seem terrible (Ray Liotta, get a new agent) but the cast here do a fine job. And even when they don’t, the ridiculousness of the plot and the lightness of the overall tone makes the film practically immune to criticism.

Postal is without a doubt Uwe Boll’s most accomplished movie to date. Some people would say that’s like the difference between doing a frontal lobotomy with a fork or a spoon but it doesn’t change the fact that it represents some maturation in his work. It is by no means a great film, nor by most standards a good one, but it has such boundless, manic energy that you can’t help but get caught up in it. The film is like a huge, mentally challenged, blood-soaked, foul-mouthed Labrador. With a gun. And nuclear weapons. If you are willing to give it a chance and get in the right mind-set (possibly some substance abuse might be helpful) then Postal is a bit of nonsensical fun.

It is also a film in which our hero uses a cat as a silencer.

Yes you read that right.

Enough said.

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