Halloween: The Curse of Michael Myers
Tone It Down with the Occult!
This could’ve been one of the best sequels of the “Halloween” franchise but it doesn’t reach that level because this installment tried to do too much. The magic and effectiveness of the first film starring Jamie Lee Curtis lie in minimalism: there’s not a lot of special effects (smoke, fog, rain, explosions) and the soundtrack is pretty much non-existent except during the stalking and killing scenes. And if the filmmakers do use the soundtrack, they use the theme song, not some rock and roll instrument-bashing snippets that tend to turn the audiences deaf. This one had those negative elements and it made the images unrealistic. Moreover, the writers could’ve completely eliminated the cult storyline. Dabbling with the occult is the worst one can do when it comes to writing a “Halloween” storyline because the franchise thrives on realism. The point is to make a realistic scary movie that can possibly happen on a Halloween night. That’s why the first one became a classic; because what the audiences are seeing is so relatable and real. The best part of this film was Michael Myers’ (George P. Wilbur) return to Haddonfield because that’s where everything started. It’s fun to watch Paul Rudd taking the lead but I have to say that whenever he smiles, I could not help but smile back or even laugh out loud because I’m reminded of how funny he is in his other films (especially in “Forgetting Sarah Marshall”). But I think he can carry horror films quite well. Yes, this one is pretty scary because Michael Myers has more brutal ways of killing but those negative elements I mentioned tend to offset the scale from “pretty darn good” to “just mediocre.” If one decides to see this film, see it for Paul Rudd and Donald Pleasence’s final turn as Dr. Sam Loomis, the original psychiatrist who saved the lovable Laurie Strode (Curtis) from the hands of the seemingly invincible psychopath named Michael Myers.