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Saturday Night and Sunday Morning
Slow, But Occasionally Raw and Stirring
2.5/4 stars
In a precursor to mumblecore, Karel Reisz tells a tragic story of a young man struggling for significance amid mounting pressures. The film's best scenes are the ones so raw and direct that they mirror real life. The downfall (and ultimately why I didn't quite care for the film) is that, like real life, the film is sometimes slow-moving and boring.
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