No Regret ( Huhwihaji anha )
Hee-il Leesong is Someone to Watch Out For
Hee-il Leesong, the first openly gay director in South Korea who leads a gay-themed film, is someone to watch out for. “No Regret” is about a recently-turned-eighteen orphan (Young-hoon Lee) who leaves the orphanage and heads to Seoul to find a job. Unable to balance school and several low-paying jobs, he decides to work as a male prostitute with the hope of earning enough money to go back to school. The main character meets a rich upcoming businessman (Han Lee) several times including the strip club where he works. Eventually, after a plethora of inner and outer conflicts between the two, they finally fall for each other. But that’s only the beginning of their problems. What I love about this picture is that it didn’t glamorize male prostitution. It managed to paint a picture that people who are involved in such underground jobs are miserable and messed up yet still have human longings that are almost never achieved. They keep telling themselves, “If I earn enough money, I’ll get out of this place and lead a better life” but insecurities of not being good enough for “normal” society soon take over and they get stuck from moving on. Young-hoon Lee impressed me because he can brood really well. When he cried (and he did several times), I felt the sting of his depression and desperation. The moment when I could identify with him the most was when he expressed his insecurities to his lover; mainly that he’s poor and not well-educated. To me, that explains why he initially did not want to get in a relationship with Han Lee’s character. The lead character’s lover is rich, educated and has several options with his life. When they finally get into a relationship, that jealousy never really goes away and it sucks them into a negative spiral. I also thought that the lead character feels guilty for taking away his lover’s opportunities just to be with him. That negative spiral is then aided by Han Lee’s family because they want him to marry a girl despite finding out that their son is a homosexual. The complexity of the situations and morals of these characters are well-integrated in the script so I enjoyed watching the story unfold. However, my biggest problem is the film’s last twenty minutes. The events that transpired were so out of character, I thought the whole sequence was a dream (or a nightmare?). Though the ending did make me laugh in some sick, twisted way (one either loves it or hates it, I suppose), I feel like it could’ve ended better. I felt like the moral implications that pervaded the rest of the film were thrown out the window and, I must admit, I felt a little cheated. Nevertheless, I’m giving this a recommendation because the acting, script, and story are commendable. I’m looking forward to Hee-il Leesong’s next film because he proved to me that he is very capable of telling stories that are both rewarding and unpredictable.